St. John’s hard rock / heavy metal musician Amer Ali has released another new single. This new track, entitled “The Power of Greed”, is a protest song that rails against tyranny and warmongering and features Kyle Woodland of Jaded Truth on vocals, Ryan Martin on guitars, Curtis Connors on guitars and vocals, P.T. O’Neill on bass and vocals, and Michael Small of Jaded Truth and Bog Rot on drums and vocals. The track was also produced by Small.
You can listen to “The Power of Greed” through our Bandcamp embed below.
Albums Archived – 6000apez – The Consequential Mudhole [Demo / Hardcore Punk] – The Beer Patrice – Dead on the Ship [Live LP / Punk] – Blender – D03s 1t Bl3nd? [Demo / Cybergrind] – Clocked In – Clocked In / Year of the Rat Split [Split / Hardcore] – Coward – King Rat [Demo / Pop Punk] – Coward – Split [Split / Pop Punk] – Evan Watton – RPM 2021 [LP / Progressive Metal] – Kick Gut – Kick Gut / Don’t Split [Split / Garage Punk] – Kick Gut – The Peter Album [LP / Garage Punk] – Kristopher Crane – Piss Drunx Theme [Single / Hard Rock] – Make Mean Everything – Gamma Rays [EP / Progressive Rock] – Make Mean Everything – Make Mean Everything [EP / Progressive Rock] – Moss Heather – Summer Flu [Single / Garage Punk] – Of Wilds – A Ghost at the Strid [EP / Progressive Rock] – Personal Space Invaders – Eat Your Meat [LP / Experimental Rock] – Ratpiss – Four Humors [EP / Powerviolence] – Sarra Cenia – Good News [Single / Stoner Rock] – Solar Tongue – Consideration [EP / Drone Metal] – Sons of an Eastern Moon – Borealis [EP / Folk Metal] – The Strangled – Never Forget [LP / Skate Punk]
St. John’s black metal duo Artach have been relatively quiet in recent months, having not been very present on social media since the release of their 2023 Christmas single “Black Metal Drummer Boy”. Yesterday on Monday, May 13th, 2024, the band emerged from their brief hibernation to release a collection of songs.
This new release is a compilation entitled From the Frozen Vault which features three tracks previously released in 2020 that have been remastered and updated for this release.
You can listen to From the Frozen Vault through our Bandcamp embed.
We also released Episode 63 of the Heavy NFLD Official Podcast, New Metal from Newfoundland IV, in which I recount some of the newer releases that have dropped from Newfoundland and Labrador bands in the past few months.
Albums Archived The Beer Patrice – Can’t Talk to Fish [Single / Punk] The Beer Patrice – Who are the Beer Patrice? [LP / Punk] Breaker – Breaker [EP / Pop Punk] Breaker – Do It Yourself [EP / Pop Punk] Death Ray – Murder Mouth [Single / Sludge Metal] Fennway – Demo 2015 [Demo / Melodic Hardcore] Fennway – Julianne [Single / Melodic Hardcore] Hot x Proxy – Fake It [Single / Hard Rock] Hot x Proxy – Mean to Me [Single / Hard Rock] Hot x Proxy – The Operator [Single / Hard Rock] Hot x Proxy – Tonite [Single / Hard Rock] Mistwalker – Basement Dwellers [Live EP / Black N’ Roll] Not Friends – Demo 2012 [Demo / Hardcore Punk] Not Friends – Stowaway [EP / Hardcore Punk] Securitron – Post-Apocalyptic Eras [LP / Thrash Metal] The Strangled – Dead Music [EP / Punk] The Strangled – Disconnected [Single / Punk] The Strangled – Straight to Ghost [EP / Punk] Twerp – Just a Little [EP / Grunge]
St. John’s blackened thrash power trio Goreforge have new stickers available. The stickers were revealed prior to the band’s most recent show at the Gower Street United Church and feature the cover art from their first album, Mythos, albeit in a white on black colour scheme. You can get these stickers at the band’s upcoming shows.
Carbonear dark ambient project Nemophilist has released yet another new single. Entitled “Beyond the Platform There Was More Enchantment”, the new song was released through YouTube on May 5th, 2024.
You can listen to this new track from Nemophilist through our YouTube embed below.
Carbonear dark ambient project Nemophilist has released a new single. The new song from the one man project is entitled “Return, Isolation” and was released through YouTube and Bandcamp on April 16th, 2024.
You can listen to “Return, Isolation” through our YouTube embed below.
This year has been crazy in a lot of ways, mostly in terms of my own life getting in the way of trying to maintain regular updates on this blog, but still we soldier forth! The slow march of time won’t stop me from catching up on all the stuff I missed, so here’s the in review segment for January of 2024.
We also released Episode 62 of the Heavy NFLD Official Podcast in which we recount some of the best heavy music to come out of Newfoundland and Labrador throughout 2023.
Albums Archived – Aaiesieux – A.C.U. Volume 1: How to Kill an Idea [LP / Harsh Noise] – Aaiesieux – A.C.U. Volume 2: Hubris, as Shown by the Audience [LP / Harsh Noise] – Aaiesieux – The Monster Mash Vol. 1 [Compilation / Harsh Noise] – Bad Plan – EP 2016 [EP / Hardcore Punk] – Guntmold – Blackened Infection [EP / Blackened Thrash Metal] – Guntmold – Munging [Single / Blackened Thrash Metal] – Icefog – Firharbour [EP / Dark Ambient] – Lithops – ((BendeR)) [LP / Dungeon Synth] – Neko Suicide – Neko Suicide Suicide Neko [LP / Harsh Noise] – Nemophilist – The Forest was Silent and Clear [Single / Dark Ambient] – Nemophilist – The Nightlight Man [EP / Dark Ambient] – Outta the Basement – Outta the Basement [LP / Hard Rock] – Pretty Little Flowers – 11:39 – 2:20 [Single / Drone] – Pretty Little Flowers – A Tribute to Hoedh [Single / Drone] – Pretty Little Flowers – Betrayal in August [Single / Drone] – Pretty Little Flowers – Litani Til Satan [Single / Black Metal] – Pretty Little Flowers – Pretty Little Flowers [Single / Drone] – Pretty Little Flowers – Truly Alone [Single / Drone] – Pretty Little Flowers – Wits End [Single / Drone] – Scary Haunted Castles – Those Damn Castles are Scary [Single / Dungeon Synth] – That Night a Forest Grew – Demo [Demo / Metalcore] – Wet Cheeze Delirium – Live at Bar None – November 10th, 1999 [Live LP / Noise / Experimental] – Wretched Invention – Wretched Souls [EP / Groove Metal]
Pupfish is a brand new medieval-themed dungeon synth project from Newfoundland and Labrador. While the identity of the person behind the project is unknown, they are indeed based somewhere in Newfoundland and have also designated themselves as a specifically anti-fascist project (via their Instagram), always a nice tidbit to be aware of in a genre that is often polluted by fascists.
The project has been around since at least November of 2020 with a cover version of “Carol of the Bells” that was released around that time. On March 30th, 2024 the project also released a single called “Fog Descends Upon the Monastery”, however both of these tracks went under our radar.
This latest offering from Pupfish, a three song EP entitled Heart of Maille, was released on April 5th, 2024 through Bandcamp and streaming services and was mastered by Bandlab Mastering.
You can listen to Heart of Maille through our Bandcamp embed below.
Having returned from tour with my band Ratpiss in the United States this past week I encountered a ton of cool bands who definitely deserve mention on this here segment on the Heavy NFLD blog. If any of these band names, album covers, or descriptions entice you then you definitely need to check them out!
Black
Emerging from the depths of Philadelpha to join the ranks of other Philly metalpunk rebels like Zorn and Devil Master, Atomic Cretins are exactly what I want from blackened thrash metal. Their debut EP is both heavy and ripping while maintaining a spooky, vampiric atmosphere, the perfect mixture for this style of extreme music. The riffs are fast and unrelenting, the vocals are absolutely atrocious (complimentary) and the drumming is pulverizing. All of this is combined with devilish guitar solos that conjure comparisons to Sarcofago and early Mayhem, while the occasional synth passage drapes the EP in a morose quality. With a name like Atomic Cretins it’s no surprise that the band sounds as nuclear as they do, with comparisons to Teutonic thrash outfits of old like Sodom and Kreator also being apt. Don’t sleep on this Philly four piece.
Death
Upon my band’s return route to the frozen northern wastes of Canada we made a stop in the city of West Chester, about 45 minutes west of Philadelphia, where we played in a VFW hall called The Moose Lodge. Among the bands that graced this bill was Aroma, who opened up the show. Their brand of slamming goregrind was honestly a lot more interesting than most bands who I’ve heard in this genre. Instead of relying exclusively on slow, downtuned chugs and pig squeals or gurgles like most slam does, Aroma had a lot of variety in their music. They mixed higher tempo death metal riffs in with the chugs, changing things up on a dime, while the vocals transformed back and forth between deep guttural lows and pained mid-range highs. They were easily one of my favourite bands we played with on this tour.
Doom
Not a band that my band played with on this tour, but a band that one of my other bands played with on a previous tour from last year. Messe, hailing from the far eastern town of Bathurst in New Brunswick, are pure Acadian rock and roll through and through. Mixing elements of Black Sabbath together with other groups from the same era like Led Zeppelin, Iron Butterfly, Blue Cheer, and more, these guys really embrace that old school 60’s and 70’s sound on this debut EP. While the band has released a new EP this year, this is the one I’m more familiar with so I chose to represent this one instead. It’s loud as hell, with the guitars reverberating and echoing across the boreal landscape all the way to the coast. While the music is all sung in French I think anglophones can still find a lot to enjoy from the instrumental aspect regardless.
Prog
Admittedly this isn’t usually the kind of thing I’d be into these days. I had a huge phase in which I was super into mathcore and progressive / technical deathcore about 10 years ago, but the style doesn’t do much for me these days. However we did play alongside a band called Serling at a huge beachside fest in Boston called Weedviolence Fest during this tour, and when I found out that their whole deal is that their music is all inspired by The Twilight Zone I knew I’d have to give them a fair shake. It’s still not really the kind of stuff I personally go out of my way to listen to, but this is music that was made for people who love bands like The Tony Danza Tapdance Extravaganza, Car Bomb, Rings of Saturn, The Dillinger Escape Plan, and The Red Chord. Mathy and heavy as fuck.
Punk
Ratpiss’ old touring mates in Corrupt World were kind enough to set up the final show of our recent run in the ol’ U.S. of A. in Burlington, Vermont and it was a pleasure to share the stage with them again. If you like noisy as hell, relentless, d-beat crust punk that incorporates elements of grindcore and harsh noise into the mix then this band is for you. This is unrepentant and raw as fuck music that pulls no punches when it comes to grinding your eardrums to dust against the pavement. Just because it’s noisy as hell, though, doesn’t mean that Corrupt World is without a degree of catchiness to their music. Quite the opposite. Many of the songs on this EP have fairly catchy guitar riffs and ripping solos that are derived straight from the Motorhead-adjacent rock and roll stylings of old school hardcore punk.
Thrash
While Artificial Scarcity are definitively a grindcore band, it would be remiss of me to ignore the copious amount of thrash metal influence in their music. Perhaps given that guitarist Sam Agnew has played in thrash bands before, it’s a bit unsurprising. It would also be remiss of me to not mention the band that I had just spent the past week and a half on the road with, ripping up venues all across the east coast of the States. Do not skip out on Artificial Scarcity. Not only are they musically impressive, featuring unabashed ripper after ripper across this debut record, but politically they hit the nail on the head. Appropriately calling out the state-imposed capitalist depravity of the modern world, from minimum wage slave labor to the government’s ignorance towards indigenous sovereignty, to the genocide of the Palestinians, to fighting back against state oppression. It’s all gloriously wrapped up in unbridled shred.
Trad
While Goblet’s music is also undoubtedly rooted in thrash metal, there are elements of other genres present here as well. We get the occasional black metal tremolo-picked riff, while some of the riffage veers into death metal territory. They’re somewhere at the intersection of multiple genres while still feeling very much like just a Capital M “Metal” band. The music contained on here feels just as much influenced by bands like Municipal Waste and Metallica as it does 3 Inches of Blood and other power metal bands that draw upon that NWOBHM sound. We performed alongside these guys at the aforementioned Weedviolence Fest in Revere, Massachusetts and they were easily one of my favourite bands of the night. If you want fucking killer riffs, over-the-top vocals, and speed that kills, then Goblet is for you.
Non-Metal
Perhaps one of the most interesting bills on this tour was a show we played in Atlanta, Georgia with a couple of bluegrass and folk bands at a venue called The Catacombs. It turned out that both our tours were hitting the same city on the same date so the bookers put us together for a bit of a mixed bill, which I was skeptical of at first, but came to enjoy quite a bit by the end. We performed alongside Johnny Lawhorn, the frontman of The Pentagram String Band, who performed his band’s material solo that night. His music was honestly kickass as hell. This man can play the banjo with a speed I’ve never before witnessed. Describing themselves as “suspicious of traditional bluegrass”, The Pentagram String Band draws inspiration from Satanism, the occult, and traditional Appalachian folk music to create a pastiche of darkness over the typically upbeat genre.