Metal Maniacs: Adam Sharr

This installment of Metal Maniacs features Adam Sharr, vocalist for sentimental death metal upstarts Grenadier and multi-instrumentalist for raw black metal project Nocturnal Prayer. Sharr has been in a myriad of different bands throughout the years, spanning multiple genres and styles and performing multiple different instruments.

Greetings. My name is Adam Sharr and I’ve been apart of the St. John’s metal and punk scene for the
past 18 years, playing in my first band at age 14. I’ve played in a multitude of black metal, death metal,
and grindcore bands throughout my run but currently do vocals for GRENADIER and am the sole driving
force behind NOCTURNAL PRAYER. Here is a list of 10 albums that have greatly influenced me as a
person and as a musician.

Metallica – …And Justice for All

Metallica is the band that truly introduced me to heavy metal and this album was my first taste in
experiencing the unrelenting mistress. My older brother moved to the mainland when I was around 11
or 12 and left some CDs behind for me. One of these was …And Justice For All and it truly changed the
way I felt about music. Heavy, catchy, and fucking pummeling, this album still holds very dear to me.

Dead Kennedys – Plastic Surgery Disasters / In God We Trust, Inc.

I found myself more drawn to punk music while in my mid teens, listening to bands like Misfits, The
Clash, Blatz, and Minor Threat, but the band that had the biggest impact on me was Dead Kennedys.
This album is the perfect punk album in my eyes. The mix of surf rocking guitar, groovy bass, fast as fuck
drums and snarky, sarcastic vocals, as well as themes that confronted all the terrible things constructed
by greed and power, created the perfect outlet for my young mind.

Agalloch – The Mantle

This is my favourite album of all time. It introduced me to the beauty of nature and pagan themes. This
album perfectly combines black metal, neofolk, doom, and post rock which takes you on one hell of an
emotional roller-coaster ride. This album taught me about tranquility made me fall in love with
melancholic music.

Burzum – Det Som Engang Var

I used to think Burzum sounded horrible when I was a young teen who listened to punk and grind. How
fucking wrong I was. As I got more into black metal in high school, Burzum kept sticking out more and
more to me. I absolutely love every album from the self titled to Hliðskjálf, but Det Som Engang Var is
my favorite by him. This album conveys the anguish, anger, and mysticism that would influence so many
black metal bands to come , as well as ambient and depressive black metal in general.

Anal Cunt – It Just Gets Worse

This shit blew my young little mind. Hilarious song names, utter nonsense music, and a logo that would
make your parents and teachers scowl in disgust. A lot of the early stuff is pure noise, but as I explored
more of their discography, I noticed that a lot of their songs were catchy certified bangers. My first band
even covered 3 of their songs. Fond memories.

Death – Symbolic

This was an important band for me as a guitarist. Trying to decide which album to pick was tough but I
think Symbolic is the one that had the most impact on me. Death is the band that pushed me to better
my guitar chops. Especially for practicing alternate picking. One of those bands that me and friends
bonded over and jammed to just for fun.

Bathory – Hammerheart

Not only the father of black metal, but also “viking metal”. I find it confusing because this album
arguably created viking metal with its themes of Norse mythology and epic choirs, yet most bands under
the term “viking metal” sound nothing like it. I love all eras of Bathory but Hammerheart is the album
that made me fall in love with them. Quorthon was never the best singer but the tenderness of his
quaking voice backed by grand choruses truly conveyed themes of strength and hardship.

Defeated Sanity – Psalms of the Moribund

Gods of brutality and masters of technicality. Defeated Sanity are quintessential for any death metal fan
looking to explore beyond the realms of Cannibal Corpse and Death. Psalms of the Moribund may just
seem like noise with the first few (or 20!) listens, but when it clicks it fucking clicks. Scattered about are
ferocious riffs, brutal slams, lightning speed drums, and unearthly vocals. Lyrical content playing with
themes of religion, archaism, and barbarity really make the album feel like a relic from ancient times.

Sol Invictus – In the Rain

I came about Sol Invictus after hearing Agalloch do a cover of the song “Kneel to the Cross”. This was my
introduction to neofolk. In high school I became obsessed with the genre and started listening to artists
like Death In June, Forseti, Rome, and The Moon Lay Hidden Beneath A Cloud. The one that always
stood out the most to me though was Sol Invictus. Tony Wakeford’s wise and gentle vocals backed by a
variety of acoustic instruments makes In The Rain an enlightening and somber listen. His influences
spanning from European history and literature made Sol Invictus more appealing to me than the
American singer-songwriter comparative.

Drudkh – Blood in our Wells

When I hear the term “atmospheric black metal” I think of Drudkh. Blood in our Wells is a monumental
album that exposes the grit of pastoral life while tugging on the heart strings with a spine tingling display
of melancholic black metal. Incorporating Ukrainian poetry into their lyrics and playing sorrowful guitar
solos also paint pictures of strife and struggle. Most seem to state Autumn Aurora as their best work,
but to me that title goes to Blood in our Wells.

Honourable Mentions:

Rhapsody – Legendary Tales
The Pogues – Rum Sodomy & The Lash
Manilla Road – Crystal Logic
Dahmer – Dahmerized
Peste Noire – L’Ordure à l’état Pur
Thergothon – Stream From The Heavens
Hate Forest – Purity
Velvet Cacoon – Genevieve

~ Written by Adam Sharr
~ Edited by Akhenaten

Metal Maniacs: Jordon Walsh

This week’s installment of Metal Maniacs features Jordon Walsh, an experienced drummer who has been in multiple bands. Currently he drums for Goreforge, The Beer Patrice, Undesirables and death metal upstarts Grenadier.

Hi folks. I am Jordon Walsh from Pasadena, Newfoundland. I play drums in the bands Goreforge, Beer Patrice, Undesirables, and most recently Grenadier, among others. For my list I will try to include some lesser-known albums and leave out some more well-known albums from my favorite bands such as Iron Maiden, Black Sabbath, Opeth, Metallica because I think most people (metalheads?) are inspired by those. It is practically impossible to compile and remember a list of ten albums that inspired me the most, let alone the additional eleven I added as honorable mentions. This list merges my favorite albums throughout my life in which I believe also stood the test of time. I hope some of you can gain some inspiration from these as I have.

In no particular order:

Nightwish – Oceanborn

One of my most fondest memories is listening to this while playing TCGs after my brother (Steve Walsh) bought it from eBay. I remember exclaiming “this would be so much better if there was someone screaming over it, like Bodom.” But it grew, and grew, and grew on me. Still to this day one of my favorite albums and probably why I placed it first in my list of no particular order.

Orphaned Land – Mabool: The Story of the Three Sons of Seven

A powerful band from Israel that has much religious meaning in their songs which I do not particularly care for, but the passion is ever present and the melody and song structure is like no other. Recommend to anybody looking for soulful guitar solos and passages with a heavy sprinkle of Israeli folk.

Dead Kennedys – Fresh Fruit for Rotting Vegetables

A satirical, humorous and invigorating album touching on issues in our fucked up world. I got into punk before metal at a young age, and Dead Kennedys were there to teach me you could be aggressive and silly the same time. Most of the subject matter still holds up to this day. One of my favorite memories is playing DK cover shows with Steve Walsh, Adam Giles and Marc Best.

Minor Threat – First Two Seven Inches

Another album we played most of the songs from for cover shows with the previously mentioned b’ys. There was a mini punk scene on the go in Pasadena when I was a little kid. The older skater kids influenced me greatly with shows at the skate park in the middle of town. Bands like Young Offenders, T.H.O and Corporate Head are ones that come to mind. They covered bands such as Minor Threat, Misfits, Beastie Boys, Pennywise, Sex Pistols etc. Always loved fast aggressive music since being a youngster and I can still throw this on, raise my fist and smile.

Agalloch – The Mantle

It wouldn’t be an exaggeration to say this album changed my life. The melancholic passages grabbed me as a teenager and I can say with certainty it was one of the albums that mostly influenced my guitar playing style. The drawn-out chords, dark melodies and it being somehow bittersweet were what pushed me to make music. I was far from a talented lead guitar player, and this recording was a little rough around the edges. The music made me realize soul is far more powerful than talent. I’m still running with that. Me and my cousin Chris Kennedy created a two-piece fantasy folk band around this same time, +5 to Strength, which was later re-imagined into Quilt.

Symphony X – The Odyssey

The final track on this album being 24 minutes was something that caught my eye, and it has zero filler. Has to be some of the best cheesy American power metal there is. I remember throwing this on around my non-metalhead friends and them being like “man, this is good shit”, kind of like when Dragonforce was introduced to us. The Odyssey album somehow manages to unite a poppy and proggy aesthetic into one giant ball of fiery cheese. It gets people to conjure up fantastic stories of “this is like when the hero arrives to the new town” or “definitely final boss battle here”.

Rhapdosy – Symphony of Enchanted Lands

Speaking of cheese, this band does not need any fermentation. No tall tale needs to be summoned for this one. It comes as a full package – literally – their albums have maps included to set the imaginative tone. Definitely my favorite power metal band of all time with the best vocalist, best epic choruses, and somehow just enough cheese without spilling over and burning up. Again, I have fond memories of this one. Just out of high school, blasting my Rhapsody mix CD with all the hits, playing too much air guitar, trying to sing Fabio Leone hooks, holding the orb until the convenience store opens back up in the morning so we can hopefully buy more beer (we were too young to realize they didn’t sell booze again until 9 AM, after being turned down. RIP “BK”, my friend). It was hard to choose the best Rhapsody album but I think this one takes the cheesecake.

Therion – Secret of the Runes

A Gothic doom masterpiece. Filled with mostly choral vocals it definitely sets a tone unlike most other bands. Like a lot of symphonic metal the guitar sometimes takes a backseat to the other string arrangements and haunting but beautiful vocals. This album often takes a mid-tempo approach but has stayed with me throughout my many loves of genres, and has grown on me even more throughout the years. One of my favorite parts of the album is “Ljuselfheim” followed by “Muspelheim”: amazing riffs and melodies that evoke feelings of longing and belligerence.

Camel – Moonmadness

This band was introduced to me by an interview Mikael Akerfeldt did in which he talked about his influences. At first listen Camel was so interesting it would make my brother and I smile almost to the point of laughing. This 70’s band has some of my favorite guitar work and the best arrangements I have ever heard. Their second album Mirage was the first I heard, but Moonmadness won me over with its psychedelic and early progressive style. “Song Within A Song” and “Chord Change” are staples when having a few of the b’ys over for a Friday drink. Not to forget “Lunar Sea”, full of amazing synth and rhythms that can help take you to another dimension. The guitarist and main composer, Andy Latimer, whom is full of soul and emotion which is evident if you ever watch his live performances, is still releasing music and still dishing out stellar albums. 

Diabolical Masquerade – Nightwork

I’ve often said before that this album is “the best music for me”. It encompasses black and death metal with catchy Nintendo-esque hooks all wrapped up with a sense of humor. I love when bands don’t take themselves too seriously, and it’s evident that Nightwork is filled with tongue-in-cheek and facetious material. I won’t spoil it for you. It’s all written by Anders Nystrom of Bloodbath and Katatonia, although the later of which I have never got into. The drums are vicious and played by the prolific Dan Swanö. If you’re into metal that’s packed with aggression and melody give it a listen and wonder why you haven’t heard it already. 

Some of these brief write-ups don’t do the albums justice but thanks for your time reading my nostalgia trip. Here’s 11 more albums that should also have a blurb about them:

Gentle Giant – Three Friends
Bal-Sagoth – Starfire Burning Upon the Ice-Veiled Throne of Ultima Thule
Immortal – Sons of Northern Darkness
Ensiferum – Ensiferum
Ragnarök – Ragnarök
Beardfish – Sleeping in Traffic Pt 1
Haggard – Eppur si Muove
Asia Minor – Between Flesh and Divine
Finntroll – Jaktens Tid
Cradle of Filth – Cruelty and the Beast
Green Carnation – Light of Day, Day of Darkness

~ Written by Jordon Walsh
~ Edited by Akhenaten

Metal Maniacs: Criss Rogers

For this week’s installment of Metal Maniacs we have Criss Rogers! Criss is a former member of the groove / death metal band Sludgefist, a member of the new band The Mill, and is also a solo artist who performs under the name CR. Read on to discover his list of ten albums that influenced and inspired his musical journey!

Hey, what’s up everybody? CR here, giving y’all a rundown on the ten records that shaped my musical journey. I take great pride in having my list published amongst those of local titans of metal and punk, and it’s good to represent the West Coast in this thing, not just Town. Also, big thanks to Mr. Ravengrave himself for the opportunity to pay it forward to all the legends that have inspired me over the years. Also, I tried not to retroactively curate the list to make myself seem cooler than I actually was. And so, without further ado, I give you… the candy lineup:

Nirvana – MTV Unplugged in New York

This is ground zero for my guitar playing. Nirvana was the biggest band in the world, and this album proved that you could take the raw power of a punk trio and distill it through organic acoustic arrangements to create something that felt intimate and truly special. When I was 12, I started taking guitar lessons (R.I.P. Tommy Murphy) and learned every song from this album (my first experience tuning a guitar to E-flat – a practice I still adopt to this day) and would strum and scream along with Kurt “the whole night through” for years.  Absolute classic performance, start to finish.

Favourite Tracks:
“Oh Me”
“About a Girl”
“Where Did You Sleep Last Night?”
“Polly”

Carcass – Surgical Steel

Don’t call it a comeback! But seriously, this is one of the greatest comeback records ever, by a criminally underrated band that has innovated, influenced, evolved and survived for decades. Packed with more gut-churning riffs, whiplash speed and buttery, fluid guitar solos than most bands can muster over a career, guitarist Bill Steer (the handsomest man in all of metal), bassist / vocalist Jeff Walker (the ugliest man in all of metal) and company offered up something brutal, beautiful and triumphant with Surgical Steel. 1994’s Heartwork may be the genre-defining fan favourite, but Surgical Steel is a massive return to form: the undisputed kings of melodic grindcore once again ascending their gore-covered throne.

Favourite Tracks:
“Captive Bolt Pistol”
“Thrasher’s Abbatoir”
“The Granulating Dark Satanic Mills”
“The Master Butcher’s Apron”

Danzig – Danzig II: Lucifuge

The best album from my favourite singer. I love everything Danzig’s ever done: Misfits, Samhain, his Black Aria classical albums, the works. But for my money, Lucifuge is his finest moment. Every song has a different sound with that ever-present theme of Danzig’s patented brand of darkness and iconic Elvis-meets-Jim Morrison crooning threaded throughout. From the rip-roaring opener “Long Way Back From Hell” to the Howlin’ Wolf-esque acoustic braggin’ blues of “I’m the One” to the torch song ballad “Blood & Tears”, this is a record I still put on at least once a month and never grow bored with it.

Favourite Tracks:
“Tired of Being Alive”
“Snakes of Christ”
“Killer Wolf”
“Her Black Wings”

NOFX – Punk in Drublic

Despite what Ring of Honor, WWE or AEW fans would attest, for kids of my generation the real Summer of Punk was 1994, with bands like Green Day, The Offspring and Rancid (dude, I was so tempted to put Dookie, Smash and …And Out Come The Wolves on this list) all making major mainstream strides to connect lame suburban kids (like me) with punk rock. NOFX were the first “real” punk band I discovered on my own, picking up this CD at random and within 15 seconds of “Linoleum”, I was already down the rabbit hole. Fat Mike’s songwriting and bass playing (another criminally underrated talent) are stellar, Smelly’s drums are like an impeccable clockwork jackhammer, and the guitar playing of El Hefe and Erik Melvin continue to influence me to this day, a fact I barely managed to stammer out, totally startstruck, when I met Melvin in 2015. Also major thanks to this record for introducing me to the incomparable Kim Shattuck of the Muffs who does the unforgettable guest vocals on “Lori Myers”.

Favourite Tracks:
“Dig”
“Lori Myers”
“Reeko”
“Fleas”
“Jeff Don’t Wear Birkenstocks”
“Punk Guy”

Type O Negative – October Rust

My absolute favourite album by my absolute favourite band. Type O Negative – specifically bassist / vocalist / songwriter Peter Steele – speak to me as no other artist does. Combining the heaviest of Sabbath-inspired metal with the psychedelic pop of late-era Beatles and Lush, Gothic atmosphere of The Cure (damn, I should’ve included them on this list too…) with an ultra-black deadpan sense of humour, it feels like Type O’s music was written for me. This record is particularly awesome, with hits like “Love You To Death”, “My Girlfriend’s Girlfriend” and “Cinnamon Girl”.  Also: “Be My Druidess” features THE HUGEST BASS TONE OF ALL TIME. Seriously b’ys, it’s like a dump truck going through a nitroglycerin plant.

Favourite Tracks:
“Be My Druidess”
“Wolf Moon”
“Burnt Flowers Fallen”
“Die With You”

Misfits – Famous Monsters

I know, I know. How DARE I include a Graves-era Misfits record on a list with Danzig? Because I go where eagles dare (and I ain’t no goddamn son of a bitch), and this record is simply awesome. Look, I know that today Michale Graves is a Proud Boy P.O.S. and should be ridiculed and shunned from civilized society for his tone-deaf idiocy. But that doesn’t make his performance on this record 20+ years ago any less amazing (even though my wife pointed out he sounds just like Stephen Page from Barenaked Ladies and now I can’t unhear it – thanks, D!). Doyle’s guitar has never sounded so massive and menacing, and this has some of the best singalong choruses of the entire Misfits catalog (“Dust to Dust”, “Die Monster Die” and “Fiend Club” immediately spring to mind). I was born in ’81, so the real Misfits were pretty much done by the time I came around. This record came out when I was 17, and it felt like my Misfits, a phenomenon that I got to enjoy in real time. At this point, I do need to mention the best tune on the record, the 50’s-esque ballad “Saturday Night”, a favourite in my house and a tune my wife and I finally got to dance to – thanks to Danielle Trouble & the Dinosaurs – the last time we were in St. John’s.

Favourite Tracks:
“Saturday Night”
“Forbidden Zone”
“Living Hell”
“Scream”
“Them!”

Pantera – Vulgar Display of Power

Dimebag Darrell was my hero. A righteous dude of the highest order, full of the most love, most positivity and most balls in all of metal – or “heavy shit” as Darrell would put it. A fearless explorer and innovator, a monster riffer, and in my book the greatest lead guitarist the world has ever seen (GETCHER PULL!). Vulgar is my favourite Pantera album and it sounds like a greatest hits collection just listing the tracks in order – “Mouth For War”, “A New Level”, “Walk”, “Fucking Hostile”, “This Love”, and that’s just the first five songs! Gotta give it up for Dime’s brother Vinnie Paul on the skins, the ever-underrated Rex Brown on bass and of course, the meanest mug in metal, Phil Anselmo, who’s in rare form here both vocally and lyrically (“Rise” and “No Good” are so timely they could have been written in 2020).  Without question, one of the best metal records of the ‘90s. Fight me.

Favourite Tracks:
“Mouth for War”
“Regular People (Conceit)”
“Rise”
“Fucking Hostile”

The Jimi Hendrix Experience – Electric Ladyland

Hendrix’s final record was his peak. He came on like a comet; an overnight sensation and his music and style influenced everything that came after. It’s no coincidence that my first electric guitar was a Strat (although, that may have more to do with Wayne’s World than Hendrix…). This was Jimi at his most focused and concise – “All Along The Watchtower”, “Voodoo Child (Slight Return)” and “Crosstown Traffic” – and also his most chaotic and experimental: the bad-trip soundscape of “…And The Gods Made Love”, the ethereal “1983 – A Merman I Should Turn To Be” and of course the ultra-dank extended “Voodoo Child” jam. A moody, bluesy, trippy, satisfying blaze of glory.

Favourite Tracks:
“Voodoo Child (Slight Return)”
“Little Miss Strange”
“House Burning Down”
“Come On (Let the Good Times Roll)”

Nine Inch Nails – Broken

This record demonstrated Trent Reznor’s uncanny ability to blend heavier-than-heavy layers of guitars with breakneck electronic beats to culminate in an album that still today seethes with fury, self-loathing and heartbreak. To those of us steeped in NIN lore, Broken is the in-between of what came before – 1989’s Pretty Hate Machine – and what was to come: 1994’s masterpiece The Downward Spiral. A dark and necessary step in Nine Inch Nails’ evolution from frivolous Goth-dance to anthems of a tortured soul. P.S. I lost my virginity to this record, and you never forget your first.

Favourite Tracks:
“Gave Up”
“Last”
“Physical”
“Wish”

Alkaline Trio – Good Mourning

Full Disclosure: by 2003 I had all but given up on punk rock, metal and music in general. My mental health was at an all-time low. I was heavily medicated and in continuous therapy. I was bland, boring and middle-of-the-road. As a result, most of the music I was writing and listening to was also bland, boring and middle-of-the-road. Until I read a year-end roundup in Rolling Stone that listed Good Mourning by Alkaline Trio as one of the top picks of the year. On a whim, I got the record (bought for me in Toronto by the legendary Gary Graham) and I was taken aback: here were these three little Satanic punk kids making some of the coolest, catchiest tunes I’d heard in years. The opening track “This Could Be Love” could not be more apropos as I became an instant die-hard and remain so to this day. Equal parts melodic and melancholic with dark and sometimes hilarious lyricism, Matt Skiba and Dan Andriano double-handedly restored my faith in music and myself with this album. Within weeks I began writing meaningful songs again, quit the pharmaceuticals, shook off the victim blanket, and the joy and passion returned to my life.  I owe the Alkaline Trio everything from that moment forward.  

Favourite Tracks:
“Fatally Yours”
“Blue in the Face”
“Emma”
“This Could Be Yours”

Honourable Mentions:

Doughboys – Crush
Tori Amos – Boys For Pele
Dimmu Borgir – In Sorte Diaboli
GWAR – Ragnarok
Portishead – Dummy
Ramones – Ramones

~ Written by Criss Rogers
~ Edited by Akhenaten

School of Rock Holding Fundraiser to Perform at Rock in Rio Festival in Lisbon

School of Rock, an international music teaching organization with over 300 locations in Canada, the United States, and elsewhere around the globe, has one location based in Newfoundland and Labrador. That location is aiming to send their students to perform at this year’s edition of the Rock in Rio Festival in Lisbon, Portugal.

To help raise funds, the organization is hosting a fundraiser event at The Rockhouse on Friday, April 22nd, 2022. Performing that night will be grunge trio Jaded Truth, a brand new Black Sabbath tribute band called Shack Sabbath (featuring Herb Simms of Devastator, Amanda and Keith Jackman of Category IV, and School of Rock instructor Matt Verstege), and the Misfits tribute band Fiend Club.

Doors open at 7:30 PM.

~ Akhenaten

Nemophilist Releases Cover of Danzig’s “Thirteen” Featuring Fog Lake

Carbonear based dark ambient artist Nemophilist has teamed up with Glovertown bedroom pop artist Fog Lake once again for another new cover. This track is a cover of “Thirteen” by Misfits frontman and solo artist Danzig, which features the acoustic guitar work of Aaron Powell alongside Nemophilist’s synth work and vocal impersonation of Glenn Danzig. The cover was released to YouTube on June 4th, 2021 and you can listen to it through our YouTube embed below.

~ Akhenaten

The Outhouse Releases Misfits-Inspired T-Shirt

Newfoundland comedy troupe and local YouTube celebrities (from the channel Jhawk23) unveiled a new merch design this past week with the reveal of their Misfits-inspired t-shirt. The t-shirt, pictured above, features the iconic Misfits skull logo wearing a sou’wester (a style of hat traditionally worn by fishermen) beneath text which reads ‘Not Fit’ in the Misfits style font.

If you’d like to get yourself a copy of this t-shirt you can do so by heading to The Outhouse’s online store at this link.

~ Akhenaten

Heavy NFLD Official Podcast Episode 17: October 2019 – Heavy Halloween

Yes indeed, after a long hiatus we’re back with the 17th episode of the Heavy NFLD Official Podcast. Following last month’s special edition where we appeared on the Montreal radio station CJLO 1690 AM to talk to Andrew Weiler of Grade A Explosives about the heavy music scene in Newfoundland and Labrador, we’ve come back to our regularly scheduled program of bringing you hard hitting music from the hellish shores of the island we call home.

On this very special episode of the podcast, which we have dubbed ‘Heavy Halloween’, we take you on a journey through ten incredibly haunted tracks produced by some of Newfoundland’s finest spooky acts. We’ve decided that every October episode of the podcast will be an installment in the ‘Heavy Halloween’ series in which we will play tracks that detail true crime events or are made in tribute to horror films or the holiday of Halloween itself.

Take a peak below to see October’s playlist for yourself:

Jim Jones and the Kool-Aid Jammers – “They’re Coming for You Barbara”
Bodkin Arrow – “Bone Broth”
Emblem – “The Exorcist”
Uneeda – “Skulls” [Misfits Cover]
The Satans – “Monster Party”
Dig Up the Dead – “Night of the Living Shred”
Anal Christ – “Consuming the Feces Residue…”
Himmelen – “Another Reason I Hate Techno and Dancing…”
Lucifairy – “Closed for the Season”
Mistwalker – “The 666th Halloween”

Listen to the Heavy NFLD Official Podcast through Bandcamp or YouTube.

~ Akhenaten