Albums Archived – 6000apez – The Consequential Mudhole [Demo / Hardcore Punk] – The Beer Patrice – Dead on the Ship [Live LP / Punk] – Blender – D03s 1t Bl3nd? [Demo / Cybergrind] – Clocked In – Clocked In / Year of the Rat Split [Split / Hardcore] – Coward – King Rat [Demo / Pop Punk] – Coward – Split [Split / Pop Punk] – Evan Watton – RPM 2021 [LP / Progressive Metal] – Kick Gut – Kick Gut / Don’t Split [Split / Garage Punk] – Kick Gut – The Peter Album [LP / Garage Punk] – Kristopher Crane – Piss Drunx Theme [Single / Hard Rock] – Make Mean Everything – Gamma Rays [EP / Progressive Rock] – Make Mean Everything – Make Mean Everything [EP / Progressive Rock] – Moss Heather – Summer Flu [Single / Garage Punk] – Of Wilds – A Ghost at the Strid [EP / Progressive Rock] – Personal Space Invaders – Eat Your Meat [LP / Experimental Rock] – Ratpiss – Four Humors [EP / Powerviolence] – Sarra Cenia – Good News [Single / Stoner Rock] – Solar Tongue – Consideration [EP / Drone Metal] – Sons of an Eastern Moon – Borealis [EP / Folk Metal] – The Strangled – Never Forget [LP / Skate Punk]
St. John’s black metal duo Artach have been relatively quiet in recent months, having not been very present on social media since the release of their 2023 Christmas single “Black Metal Drummer Boy”. Yesterday on Monday, May 13th, 2024, the band emerged from their brief hibernation to release a collection of songs.
This new release is a compilation entitled From the Frozen Vault which features three tracks previously released in 2020 that have been remastered and updated for this release.
You can listen to From the Frozen Vault through our Bandcamp embed.
We also released Episode 63 of the Heavy NFLD Official Podcast, New Metal from Newfoundland IV, in which I recount some of the newer releases that have dropped from Newfoundland and Labrador bands in the past few months.
Albums Archived The Beer Patrice – Can’t Talk to Fish [Single / Punk] The Beer Patrice – Who are the Beer Patrice? [LP / Punk] Breaker – Breaker [EP / Pop Punk] Breaker – Do It Yourself [EP / Pop Punk] Death Ray – Murder Mouth [Single / Sludge Metal] Fennway – Demo 2015 [Demo / Melodic Hardcore] Fennway – Julianne [Single / Melodic Hardcore] Hot x Proxy – Fake It [Single / Hard Rock] Hot x Proxy – Mean to Me [Single / Hard Rock] Hot x Proxy – The Operator [Single / Hard Rock] Hot x Proxy – Tonite [Single / Hard Rock] Mistwalker – Basement Dwellers [Live EP / Black N’ Roll] Not Friends – Demo 2012 [Demo / Hardcore Punk] Not Friends – Stowaway [EP / Hardcore Punk] Securitron – Post-Apocalyptic Eras [LP / Thrash Metal] The Strangled – Dead Music [EP / Punk] The Strangled – Disconnected [Single / Punk] The Strangled – Straight to Ghost [EP / Punk] Twerp – Just a Little [EP / Grunge]
This year has been crazy in a lot of ways, mostly in terms of my own life getting in the way of trying to maintain regular updates on this blog, but still we soldier forth! The slow march of time won’t stop me from catching up on all the stuff I missed, so here’s the in review segment for January of 2024.
We also released Episode 62 of the Heavy NFLD Official Podcast in which we recount some of the best heavy music to come out of Newfoundland and Labrador throughout 2023.
Albums Archived – Aaiesieux – A.C.U. Volume 1: How to Kill an Idea [LP / Harsh Noise] – Aaiesieux – A.C.U. Volume 2: Hubris, as Shown by the Audience [LP / Harsh Noise] – Aaiesieux – The Monster Mash Vol. 1 [Compilation / Harsh Noise] – Bad Plan – EP 2016 [EP / Hardcore Punk] – Guntmold – Blackened Infection [EP / Blackened Thrash Metal] – Guntmold – Munging [Single / Blackened Thrash Metal] – Icefog – Firharbour [EP / Dark Ambient] – Lithops – ((BendeR)) [LP / Dungeon Synth] – Neko Suicide – Neko Suicide Suicide Neko [LP / Harsh Noise] – Nemophilist – The Forest was Silent and Clear [Single / Dark Ambient] – Nemophilist – The Nightlight Man [EP / Dark Ambient] – Outta the Basement – Outta the Basement [LP / Hard Rock] – Pretty Little Flowers – 11:39 – 2:20 [Single / Drone] – Pretty Little Flowers – A Tribute to Hoedh [Single / Drone] – Pretty Little Flowers – Betrayal in August [Single / Drone] – Pretty Little Flowers – Litani Til Satan [Single / Black Metal] – Pretty Little Flowers – Pretty Little Flowers [Single / Drone] – Pretty Little Flowers – Truly Alone [Single / Drone] – Pretty Little Flowers – Wits End [Single / Drone] – Scary Haunted Castles – Those Damn Castles are Scary [Single / Dungeon Synth] – That Night a Forest Grew – Demo [Demo / Metalcore] – Wet Cheeze Delirium – Live at Bar None – November 10th, 1999 [Live LP / Noise / Experimental] – Wretched Invention – Wretched Souls [EP / Groove Metal]
Having returned from tour with my band Ratpiss in the United States this past week I encountered a ton of cool bands who definitely deserve mention on this here segment on the Heavy NFLD blog. If any of these band names, album covers, or descriptions entice you then you definitely need to check them out!
Black
Emerging from the depths of Philadelpha to join the ranks of other Philly metalpunk rebels like Zorn and Devil Master, Atomic Cretins are exactly what I want from blackened thrash metal. Their debut EP is both heavy and ripping while maintaining a spooky, vampiric atmosphere, the perfect mixture for this style of extreme music. The riffs are fast and unrelenting, the vocals are absolutely atrocious (complimentary) and the drumming is pulverizing. All of this is combined with devilish guitar solos that conjure comparisons to Sarcofago and early Mayhem, while the occasional synth passage drapes the EP in a morose quality. With a name like Atomic Cretins it’s no surprise that the band sounds as nuclear as they do, with comparisons to Teutonic thrash outfits of old like Sodom and Kreator also being apt. Don’t sleep on this Philly four piece.
Death
Upon my band’s return route to the frozen northern wastes of Canada we made a stop in the city of West Chester, about 45 minutes west of Philadelphia, where we played in a VFW hall called The Moose Lodge. Among the bands that graced this bill was Aroma, who opened up the show. Their brand of slamming goregrind was honestly a lot more interesting than most bands who I’ve heard in this genre. Instead of relying exclusively on slow, downtuned chugs and pig squeals or gurgles like most slam does, Aroma had a lot of variety in their music. They mixed higher tempo death metal riffs in with the chugs, changing things up on a dime, while the vocals transformed back and forth between deep guttural lows and pained mid-range highs. They were easily one of my favourite bands we played with on this tour.
Doom
Not a band that my band played with on this tour, but a band that one of my other bands played with on a previous tour from last year. Messe, hailing from the far eastern town of Bathurst in New Brunswick, are pure Acadian rock and roll through and through. Mixing elements of Black Sabbath together with other groups from the same era like Led Zeppelin, Iron Butterfly, Blue Cheer, and more, these guys really embrace that old school 60’s and 70’s sound on this debut EP. While the band has released a new EP this year, this is the one I’m more familiar with so I chose to represent this one instead. It’s loud as hell, with the guitars reverberating and echoing across the boreal landscape all the way to the coast. While the music is all sung in French I think anglophones can still find a lot to enjoy from the instrumental aspect regardless.
Prog
Admittedly this isn’t usually the kind of thing I’d be into these days. I had a huge phase in which I was super into mathcore and progressive / technical deathcore about 10 years ago, but the style doesn’t do much for me these days. However we did play alongside a band called Serling at a huge beachside fest in Boston called Weedviolence Fest during this tour, and when I found out that their whole deal is that their music is all inspired by The Twilight Zone I knew I’d have to give them a fair shake. It’s still not really the kind of stuff I personally go out of my way to listen to, but this is music that was made for people who love bands like The Tony Danza Tapdance Extravaganza, Car Bomb, Rings of Saturn, The Dillinger Escape Plan, and The Red Chord. Mathy and heavy as fuck.
Punk
Ratpiss’ old touring mates in Corrupt World were kind enough to set up the final show of our recent run in the ol’ U.S. of A. in Burlington, Vermont and it was a pleasure to share the stage with them again. If you like noisy as hell, relentless, d-beat crust punk that incorporates elements of grindcore and harsh noise into the mix then this band is for you. This is unrepentant and raw as fuck music that pulls no punches when it comes to grinding your eardrums to dust against the pavement. Just because it’s noisy as hell, though, doesn’t mean that Corrupt World is without a degree of catchiness to their music. Quite the opposite. Many of the songs on this EP have fairly catchy guitar riffs and ripping solos that are derived straight from the Motorhead-adjacent rock and roll stylings of old school hardcore punk.
Thrash
While Artificial Scarcity are definitively a grindcore band, it would be remiss of me to ignore the copious amount of thrash metal influence in their music. Perhaps given that guitarist Sam Agnew has played in thrash bands before, it’s a bit unsurprising. It would also be remiss of me to not mention the band that I had just spent the past week and a half on the road with, ripping up venues all across the east coast of the States. Do not skip out on Artificial Scarcity. Not only are they musically impressive, featuring unabashed ripper after ripper across this debut record, but politically they hit the nail on the head. Appropriately calling out the state-imposed capitalist depravity of the modern world, from minimum wage slave labor to the government’s ignorance towards indigenous sovereignty, to the genocide of the Palestinians, to fighting back against state oppression. It’s all gloriously wrapped up in unbridled shred.
Trad
While Goblet’s music is also undoubtedly rooted in thrash metal, there are elements of other genres present here as well. We get the occasional black metal tremolo-picked riff, while some of the riffage veers into death metal territory. They’re somewhere at the intersection of multiple genres while still feeling very much like just a Capital M “Metal” band. The music contained on here feels just as much influenced by bands like Municipal Waste and Metallica as it does 3 Inches of Blood and other power metal bands that draw upon that NWOBHM sound. We performed alongside these guys at the aforementioned Weedviolence Fest in Revere, Massachusetts and they were easily one of my favourite bands of the night. If you want fucking killer riffs, over-the-top vocals, and speed that kills, then Goblet is for you.
Non-Metal
Perhaps one of the most interesting bills on this tour was a show we played in Atlanta, Georgia with a couple of bluegrass and folk bands at a venue called The Catacombs. It turned out that both our tours were hitting the same city on the same date so the bookers put us together for a bit of a mixed bill, which I was skeptical of at first, but came to enjoy quite a bit by the end. We performed alongside Johnny Lawhorn, the frontman of The Pentagram String Band, who performed his band’s material solo that night. His music was honestly kickass as hell. This man can play the banjo with a speed I’ve never before witnessed. Describing themselves as “suspicious of traditional bluegrass”, The Pentagram String Band draws inspiration from Satanism, the occult, and traditional Appalachian folk music to create a pastiche of darkness over the typically upbeat genre.
Despite being on the road in a completely different country I still will find the time to provide you with eight killer album recommendations because music is what makes the world go round. On that topic I’ve encountered a number of bands over the past week that definitely deserve a bigger audience.
Black
The first time I was exposed to Infant Island it was when they were added last minute to a huge mixed bill that featured the likes of Gatecreeper and Fearing. It was odd but given how mixed the bill was I guess it made sense to toss a screamo band on there. Admittedly I wasn’t all that into them for this live show but decided to check out their new record when it dropped earlier this year and was shocked to find out just how damn much I liked it. This album is fucking phenomenal, featuring tons of atmosphere, triumphant guitar work that screams out over relentless blast beats and passages of intense, cathartic screaming. Screamo and black metal may seem at polar ends of the musical spectrum but bands like Infant Island manage to bridge that gap almost flawlessly and this record is proof of that. Obsidian Wreath is a phenomenal release that deserves your attention.
Death
Eyecatcher is a four piece death metal outfit that my own band Ratpiss played with while on tour in Long Island City, New York. This Maryland quartet was amazing in the live setting and their brand of Obituary / Power Trip worshipping death metal was right up my alley. Checking them out on the recording side of things I am happy to report that their first self-titled release is just as good sounding as the live versions of these songs were. This is ripping death metal with thrash metal and grindcore influence that would not go unwelcome on a playlist next to bands like Frozen Soul and Sanguisugabogg. While this EP is “blink and you’ll miss it” short, it’s packed with more killer riffs and drum beats that you can shake a disembodied leg at. If the cover art doesn’t sell you on it already, let the song titles like “Blood Carnival” and “Wormtongue” entice into the grotesque nature that awaits.
Doom
I was first introduced to Horndal through my friend Tyler. Admittedly when I first checked it out I wasn’t sure about it but after numerous repeat listens it dawned on me: this album is fucking incredible. This thing combines elements of the bright, harmonized guitar work of groups like Thin Lizzy or Kvelertak along with the progressive riffing nature of bands like Mastodon as well as the raw sense of urban decay ushered in by bands like Tombs or Morne to create a sound I’ve never quite heard before. This thing is a beast of modern metal, and not in the same way that people describe Lamb of God. This is the pinnacle of modern metal music, utilizing every aspect of heavy music that I personally love in such a way that I’ve never been privy to. It’s experimental while also being catchy as fuck, all while the gruff caveman vocals detail stories about the history and legends of the band’s hometown for which they are named.
Prog
Orbs was a band of particular interest to me back in 2010 when they first emerged onto the scene of modern, nu-progressive artists that had readers of the blog Heavy Blog is Heavy fawning. Featuring such notable names as Dan Briggs from Between the Buried and Me, Adam Fisher of Fear Before the March of Flames, and Ashley Jurgemeyer of Abigail Williams, this was a supergroup of sorts that existed to blend elements of jazz, prog, and space rock with a post-hardcore affectation and approach to songwriting, and holy moly did they ever knock it out of the park. Almost 15 years after the fact I still come back to this album and can sing along to all the words like no time at all has passed. Relentlessly interesting and masterfully composed with hooks for days both on the vocal front as well as the instrumental front, it’s a shame Orbs hasn’t been more active in the intervening years.
Punk
Another band that Ratpiss has shared the stage with, multiple times now. Philadelphia’s Diuretic absolutely fucking rule. Not only are they super cool people, but their music fucking rips too. The band has released one EP and a demo as of their existence so far, with Martyrfucker being the most recent effort. Pissed off, aggressive, loud and nasty, this is grindcore as it should be. Along with the general angry vibe of the music it also sounds raw as fuck. It’s not really “pure” grindcore in a sense since most of the music on here doesn’t rely exclusively on blast beats, and there are a lot of groovier sections with two-step parts that lean them a little bit more towards the hardcore punk side of grindcore. That said Diuretic is still full of angst, piss, and vinegar, and this EP is a prime example of just what the Philadelphia grind scene has to offer.
Thrash
This Montreal thrash trio, which has since evolved into a quartet, have been slowly making a name for themselves over the past year in Quebec and the wider Eastern Canadian scene. Taking influence from both the realms of old school thrash metal legends like Slayer and Anthrax as well as newer crossover institutions, the band doesn’t really fall squarely into one category or another. There’s a hefty amount of hardcore punk influence going on here, especially on the EP’s opener “Chernobyl”, but the ripping thrash doesn’t take long to kick in. Guitarist Christophe Michaud has one goal in mind and that’s to rip your head from your neck by making you headbang like a fucking lunatic. He accomplishes that goal in spades on here, while making sure the punk influence keeps things fun and upbeat.
Trad
Vancouver’s Gatekeeper are the best kept secret in the world of the New Wave of Traditional Heavy Metal originating from Canada. This band embraces every classic metal cliche, taking as much influence from bands like King Diamond and Mercyful Fate as they do bands like Blind Guardian. They straddle the line between old school heavy metal outfits like Dio as well as pure power metal that emerged from Europe in the 80’s and 90’s a la Helloween. Delightfully melodic and impossibly catchy, every song on this record is absolute fucking banger and deserves to be blasted at max volume. With lyrics inspired by the works of famous fantasy and horror authors like Robert E. Howard and H.P. Lovecraft, listening to this album makes me feel like Conan the goddamned barbarian, riding a mighty steed across the plains of uncharted wilderness, a great broadsword strapped across my back.
Non-Metal
Have you ever been on a long-ass drive that you started early in the day, like before noon, and you keep on screaming down the highway, still having not reached your final destination as the sun goes down behind the hills and it seems like night is going to last forever? You’ve had one too many energy drinks and you’re wearing sunglasses to minimize the glare of the searing lights of the construction zone you’re passing through? Well this album is the soundtrack to that vibe. This is a night driving album if there ever was one. Much like other synthwave artists like Perturbator, Carpenter Brut, or Filmmaker, Com Truise has made a career off of perfectly encapsulating the atmosphere of the liminal space that is a highway after dark. That said Com Truise’s music is a bit more chillwave-leaning than the retro and horror inspired vibes of those other artists, but the comparison is still apt.
St. John’s blackened thrash metal trio Goreforge are returning for their first show in a considerable amount of time on Saturday, April 27th at the Gower Street United Church, and to commemorate their triumphant return the band has had a batch of t-shirts printed. The shirts feature the cover art from the band’s first album Mythos. You can get these shirts at the show tomorrow.
St. John’s blackened / experimental hardcore outfit The Order of the Precious Blood has revealed the posters and full lineup announcements for the remaining three gigs of their upcoming Maritime tour at the end of April.
On April 26th the band will be in Miramichi, New Brunswick performing at The Shred Shed alongside Moncton death metal / grindcore outfit Ibex and Miramichi local hardcore punks Ten Dollar Meat Bags.
On April 27th the band will be in Moncton, New Brunswick at Xeroz Arcade Bar and will be joined once again by Ibex as well as stoner punks Yhorm from Sussex, New Brunswick.
On April 28th the band will be in Glace Bay, Nova Scotia at The Bitten Moon Pub alongside Breakneck, Great Value, and Nova Scotia powerviolence / hardcore outfit Fear and Filth.
This one is coming to you a day late because life got in the way this past week and I didn’t get as much time to hammer out which albums I wanted to recommend to you all on Friday. I was also busy hosting a show at The Traxide in Montreal featuring some rather excellent bands from the Maritimes, namely the blackened death metal stylings of Paratomb and progressive metal wizardry of Omnivide, along with local thrashers Grimhold and death-sludge riffologists Obelisk. Now that I’ve got a few moments of free time to myself this Saturday (between recovery) I’m going to make up for it. Read on for some of your (somewhat) regularly scheduled riff recommendations!
Black
The first time I heard this record I was absolutely floored and to this day it continues to shock me. I’d like to thank Devon Milley for this recommendation as it was through him that I discovered this band. I’ve never heard a band so perfectly emulate the sound of Darkthrone’s early material. Everything on this record from the guitar tone to the drum approach to the production to the vocal approach is the closest I’ve ever heard a band mimic that style, and they do it wonderfully. The riffage is so pure and kvlt and trve and devoid of any bells and whistles. Even the vocals sound eerily similar to the range and tone of Nocturno Culto on those classic black metal albums as well as the post-Panzerfaust era of the band. All you have to do is listen to the first track here, “Three Desecrated Hosts”, and you’ll see what I mean. If you’re at all a fan of that style of Norwegian black metal, then Germany’s Pakkt is a must-listen, especially for Darkthrone die-hards like myself.
Death
I first discovered this band through a video made by the YouTuber known as The Punk Rock MBA. I think that guy sucks but I’d be lying if I said he hadn’t put me on to some cool music over the years. Human Remains is definitely one of those bands. The first time I put this record on I couldn’t quite believe what I was hearing. “A deathgrind diamond” as one Bandcamp reviewer named Brett put it, this thing is fucking weird. There are sounds on here that I didn’t even know a guitar could make before I listened to this thing. It’s exceptionally brutal, uncompromising, relentless, and unapologetically experimental. There’s plenty of moments where the music remains firmly rooted in brutalizing the listener with blast beats and atonal guitar riffs before launching into interludes that feel like they’re drawing upon bands like Mr. Bungle and The Dillinger Escape Plan. Of course Dillinger was probably influenced by this band considering that Human Remains predates them.
Doom
I was put onto this band through a friend of mine who just happened to be playing them out loud on a Bluetooth speaker while I was hanging with some pals at their house. I was pretty much immediately hooked by the quality of the riffage, the production value, and just how similar it felt to the kind of sludge metal that I am really drawn to: bands like Mastodon, Kylesa, and Black Tusk. The ones who are a little artsy but aren’t afraid to get deep, down, and dirty with their music. Wardehns certainly scratches that itch for me and I’ve had this record on repeat ever since that initial encounter. It’s monolithic in size, with every song imparting the image of a group of intrepid travelers and warriors climbing their way to the top of a frostbitten mountain, surviving blizzards and avalanches, and fighting horrible beasts all along the way. The album cover is indeed a perfect representation of what kind of music you’ll hear on this thing. It comes highly recommended.
Prog
I brought up Omnivide in the intro to this article not just to tell you about the show I was at last night, but also as a genuine recommendation for a band that kicks fucking ass that doesn’t live all that far from Newfoundland. This New Brunswick progressive metal outfit just released their debut album, A Tale of Fire, last month, and are currently embarking on a tour across Canada in support of it. Having seen them live a couple of times now as well as having listened to this thing all the way through time and time again I can attest to this band absolutely ruling. If you want your brain to be disassembled and then put back together wrong then this is the record for you. Their music certainly draws heavy influence from big-name prog bands like Between the Buried and Me, but there are also shades of groups like Cynic, Obscura, and Beyond Creation to be found within. If you like any of those bands you’ll almost certainly like this.
Punk
I was lucky enough to catch Flower at Varning Fest last year, an annual underground crust punk and metal festival that occurs in Montreal. They came up from New York City to play here and absolutely tore the place apart. I thought their live performance was already great but it was checking out their recordings after the fact on my own that really sold me on them. This right here is the kind of punk I like the most. It’s loud, aggressive, angry, and dirty as fuck. All the best crust punk is only a few steps removed from speed metal and black metal and Flower really embrace that vibe on this LP. The album opens with an atmospheric blackened guitar riff that reminds me extensively of Gallhammer and Darkthrone, before the unruly punk ripping starts at full force. It’s so gross and nasty, from the raw guitar tone to the punchy drums to the pissed off vocals. Flower are fantastic, and this LP absolutely slays.
Thrash
Mexico’s Phantom are pretty much everything I want from modern thrash. Their sound is supremely old school, drawing clearly upon the bands of the 80’s, with the Teutonic sound in particular being a primary influence. If you like Sodom, Kreator, or Destruction, or at least the way those bands used to sound back in the day, then Phantom may be for you. That’s not to discount the American influence in their sound either, because notes of Slayer and Metallica definitely crop up from time to time, but ultimately they keep things rooted in that more aggressive sound that veers on the edge of black metal without ever stepping forth into the blizzard. What makes this album even more impressive is that the dudes in this band are really young, most of them being around the ages of 18 to 20. For being as young as they are they’ve got a fantastic grasp of their instruments and their songwriting capability is excellent. I’m stoked to hear what they put out next.
Trad
I never thought I would unironically enjoy a NASCAR-themed metal band but then I am the Intimidator came out of nowhere and showed me the errors of my hubris. This is the new solo project of former Poison Idea guitarist Andrew Stromstad and the entire thing is lyrically and aesthetically based around the final day of NASCAR driver Dale Earnhardt’s life. If that wasn’t already enough to sell you on the concept, then I’m happy to report that the music contained within is just as fucking awesome. It’s old school speed metal that draws as much influence from Metallica, Motorhead, and King Diamond as it does from a blackened speed metal act like Venom and an epic doom metal band like Candlemass. While the record may be all over the map in terms of influence it is surprisingly consistent all the way through, featuring fabulous riff after fabulous riff and vocals that’ll put hair on your chest.
Non-Metal
I discovered Shpongle years ago when I was still in high school. While sick and staying home from school one day I went down an enormously long musical rabbit hole on YouTube (this was back in the day before algorithms ruined everything) which eventually led me to a fan-made animated music video for the song “Star-Shpongled Banner”. I was so enamored by the combination of the music with the visuals I was experiencing made that song stick with me for years to come, and to this day I still revisit this record from time to time. While I don’t often find myself listening to electronic music, when I do I prefer the kind of stuff that’s outside the realm of the typical club fare. I don’t go to clubs often, mind you, but I have a hard time imagining that this is the kind of thing played anywhere outside of a hippie drug den. It’s not for everyone, but if you like weird electronica you should definitely check this one out.
St. John’s grindcore duo Sour Gut have released a new EP. This new drop from the band is their second since the beginning of 2024, following their initial demo which was released in March. The new EP, entitled Impaled, was released on April 5th, 2024 through Bandcamp and features Todd Samson on drums and Liam Hayman on vocals. Both members of the band wrote the guitar and bass parts though the band is currently seeking additional members to take over on those instruments.
You can listen to Impaled by Sour Gut through our Bandcamp embed below.